I'm actually a small Alpaca, with stylish hair, named Winston. The power of online anonymity.
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You look much taller in this picture that you looked the day I met you at that SMAC AK Swap meet.
I'm actually a small Alpaca, with stylish hair, named Winston. The power of online anonymity.
View attachment 4347
Hey now, we can’t all be giraffes. Or Llamas.You look much taller in this picture that you looked the day I met you at that SMAC AK Swap meet.
My biases:
I have no interest and find myself taking less seriously any opinions about down-stream gear that rely solely on these digital sources (local friends excepted, of course).
I would say "bite me" but you did turn me onto the Filmore 13 so I owe you one.
How about that Dalai guy?Hey now, we can’t all be giraffes. Or Llamas.
Another one: metal-dome tweeters
I've heard so very, very many speakers with metal tweeters that drove me from the room that I have lumped most of them together, whether they are $99 or $99k. A few audio shows ago (I think it was RMAF three years ago) I used "metal dome tweeters in this room?" as a way to concentrate time spent listening to other systems. I think the next show (AXPONA the following spring) is when I "decided" (concluded?) that I liked most planar-magnetic tweeters the best, and most soft-dome tweeters next best, and from then on have dismissed most speakers with metal dome tweeters. And I have a good bit of cognitive dissonance to rationalize when it comes to wonderfully-implemented examples, Harbeth comes to mind.
And horns:
Most Klipsch speakers have sounded, to my ears, like an iPod playing through an orange traffic cone, so I've never given them (or similar speakers) much opportunity; my eyes said I wouldn't like it, so my ears didn't. I have similar difficulties with, again, wonderfully-implemented "horn" speakers. The absolute best thing I heard at AXPONA last year was a very unusual horn system. It was breathtaking, and my eyes said I would hate it.
I was anti metal dome tweeters, it then ended up with metal domes in my Harbeths, and they sound nothing like what the old ones sounded like to me, especially JBL titanium ones. Had I not been able to audition the speakers in person, I would probably not have considered them because of the domes.Another one: metal-dome tweeters
I've heard so very, very many speakers with metal tweeters that drove me from the room that I have lumped most of them together, whether they are $99 or $99k. A few audio shows ago (I think it was RMAF three years ago) I used "metal dome tweeters in this room?" as a way to concentrate time spent listening to other systems. I think the next show (AXPONA the following spring) is when I "decided" (concluded?) that I liked most planar-magnetic tweeters the best, and most soft-dome tweeters next best, and from then on have dismissed most speakers with metal dome tweeters. And I have a good bit of cognitive dissonance to rationalize when it comes to wonderfully-implemented examples, Harbeth comes to mind.
And horns:
Most Klipsch speakers have sounded, to my ears, like an iPod playing through an orange traffic cone, so I've never given them (or similar speakers) much opportunity; my eyes said I wouldn't like it, so my ears didn't. I have similar difficulties with, again, wonderfully-implemented "horn" speakers. The absolute best thing I heard at AXPONA last year was a very unusual horn system. It was breathtaking, and my eyes said I would hate it.
I came here to say this. Well played.I like to run my biases around 25mA...
My beryllium tweeter and mid drivers sound pretty good.Another one: metal-dome tweeters
My biases:
- Amplifiers (particular "audiophile" grade or boutique level products) that don't employ a basic dual-mono physical layout and/or topology. If you are designing a stereo amplifier and don't treat both channels equally, how can I take your amplifier seriously? I like/respect Rogue gear, but have always been irritated with the Atlas/Magnum layout. Why are the tubes laid out with balance/symmetry yet the output transformers are way back in one corner? I remember reading a review of one (damned if I can find it now) in which the writer noted a higher level of noise/ripple on one channel than the other, and noted it was the channel that was closer to the P/S side of the amp and had longer signal paths under the chassis. It wouldn't have been hard to separate out the channels, put the P/S in the middle, and isolate accordingly. Hell, even Dynaco got that part right with the ST-70 back in prehistoric times.
Interesting in that I hadn't much though about things I'm bias -towards-. And it's towards similar things, for similar reasons. I like things that look old and that don't have a lot of higher technology inside making them work. My only exception to that has been my BlueSound server stuff, but even that was because I didn't want a computer anywhere near my system as I spend all day looking at one..but I like having all that music right there with me. So I have an older iPad dedicated now to just controlling the BlueSound stuff. My main system is back to just records and CDs, though. The BlueSound gear is in the bedroom and, ironically, my vintage system made of Fisher tube gear and Spendor BC-1s. But that system also has my Thorens TD-124, so can be low tech as well.My bias tends to be heading back towards vintage gear after years of frustration with repairs and constant breakdowns. I think it has to do with my current anti technology bias overall and the desire to remove as much of it from my life as i can. I am sick of smart phones that stop working for no reason after a couple of years, sick of constant intrusions and notifications and the control these devices seem to have over our lives. Everyone (including myself) seems unable to escape the instant gratification that these devices bring. The stuff I really like now is 60s and early 70s gear that has that Madmen feel to it. A couple of years ago I bought a brilliant amplifier in the Nait 5i2. Great build quality, amazing sound but all I could think about was that it would look more appropriate on a server rack then on the cabinet in my mancave. I know this bias is not based on anything quality related, although I do also love the quality of the old gear, but rather a nostalgia for another time in the past. Maybe I have been watching too much "Black Mirror" but I am really growing to dislike technology even after 20 years of working in the tech industry myself.
I understand your understanding of the definition of bias, but I'm still biased.I don't know that I'd describe not liking Mp3s as a bias. They're demonstrably inferior and on good gear, sound terrible. I think a bias is more something that might sit on level ground with other things, but you dismiss it or have your feelings about it clouded, because you assume ahead of time it's not equal. Mp3s aren't equal.. and I'm with you both, they sound terrible and I can't get around to listening to them. The only time I do is either on my phone with headphones, or through spotify if I can't find what I"m looking for on Tidal and really just want to hear it. I'm, yes, 'capable' of enjoying it, but given a better option I'll always take it.