Colored Vinyl

I worked in record stores in the mid 80's when I was in high school, as well as in the mid 90's when I was in college and I definitely held onto the adage that novelty vinyls generally sounded like crap, especially picture discs; colored vinyls were pretty rare back then. I sold all of my vinyls in 1988 earn I joined the army and again in 2006, when faced with a solo cross-country move while recovering from a broken collarbone, so I don't have many vintage pieces to compare. I also won't buy a picture disc for the reasons previously mentioned, however it's been my recent experience with the vinyls I've purchased in the past 4 years, that there is little to no difference between black and colored vinyls, particularly translucent platters; the transparent, untinted UHQR vinyls I have are among the best sounding records I've heard, for which mastering and pressing have a role in the SQ and I'm not qualified enough to opine on what effect the lack of carbon black on vinyls does, although I have significant experience with it as a tire wear and heat diffusing additive, working as a tire and suspension tech in professional motorcycle racing in the 2010's.
 
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Mike,

How are you getting-on with your coloured copy?

I can't comment on this pressing you asked about, but I really enjoyed the music, so have ordered an unplayed copy of the 1987 black vinyl US reissue.

It was for sale here in China, asking just under USD15.00. I simply had to give it a go. 🍻☺️

I'm pretty fussy about vinyl, so when it arrives I will report.

DISCOGS: Don Ewell Quartet, YELLOW DOG BLUES (1959) - 1987 STEREO Reissue, Black
 
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Well this 1987 reissue, black of Don Ewell Quartette, YELLOW DOG BLUES (1959) - arrived and we are loving it.

The pressing is quiet and flat and the music - particularly the horns - just leap out of the early genuine STEREO mix.

The good news is that it is not like an early STEREO disaster - like The Beatles, Rubber Soul (STEREO) - where the mix is weirdly split across two channels.

The STEREO mix on Don Ewell Quartette, YELLOW DOG BLUES (1959) presents quite a natural soundscape.

The music is a blend of old-timey, laid-back Jazz (featuring bar-piano, upright bass, strummy Django-ish electric guitar - with trumpet out front) and easy listening. So, nothing too challenging and certainly not modern Jazz or improv. Right up our alley, actually.

And I have to say that the NM album cover has already become a firm family favorite, as we have a honey-colored American Cocker Spaniel / Teacup Poodle (miniature) that looks a lot like the pooch on the sleeve.

Would I invest ten times as much in the audiophile version? No, not now. This 1987 pressing is a very good listen and obviously pressed from the original analog master.

A nice win for us.

@MikeT. Thanks for the great tip-off about this album. Hoping you can comment on your RED audiophile edition? ☺️🍻

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