What have I got myself into.

Where did you get the body?
Stanley Engineering on eBay. He makes these for a number of different cartridges, in several types of wood. I think these are CNC cut, mine fit perfectly. He also does headshells. Shipped from Germany.

Edit: He does YouTube videos to illustrate some of the procedures for mounting these. My VM95 was fixed in the AT body by a single screw, no glue.
 
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Stanley Engineering on eBay. He makes these for a number of different cartridges, in several types of wood. I think these are CNC cut, mine fit perfectly. He also does headshells. Shipped from Germany.
Thanks.
I'll look him up, might be what I need.
 
I'm not sure what Clearaudio uses. The AT95 motor was used in a lot of cartridges, IIRC. The Virtuoso was an ebony body, according to the ad I just checked.
I'm pretty sure it was the AT95 motor. The Virtuoso Ebony or Wood came with the Marantz (Clearaudio) TT-15s1 I had. It was bodied in wood with a nervously long cantilever. I remember it sounding good.

Looking up Clearaudio carts they look to have a whole range based on what looks like the same AT motor with different stylus and bodies from $250-$1500.
 
After using this table for a while, it became pretty clear that I'd want to move on from the stock tonearm. If the headshell was SME compatible, I would have been quite a bit happier. But it isn't, and when a certain ad on CAM was up for a while with no takers - temptation won out.

Behold, the Lenco-friendly Ortofon AS-212:


AS-212onLenco.jpg

This arm had been modified to be a direct fit on the Lenco, with the arm lift section removed. This allows use of the built in lift on the turntable. It also has the original mounting collar removed, and on the pillar is a custom collar that allows it to fine tune the pivot to spindle distance and directly fit the Lenco mounting collar in the top plate. It does mean I'll have another hoop to jump through if I want to use this on a different plinth, but that isn't impossible.

It came with two headshells, and I was happy to see the Ortofon one. I didn't notice in the ad photos that there's no adjustment for the cartridge in the shell - I found that out mounting the Nag. I did get the pivot to spindle distance at 212 mm, so this is working surprisingly well. The MP-100 sounded better than before on the first albums played, and I enjoy using this arm more. Hurray.

I'm continually surprised that I've managed these tasks without a catastrophic event. Minor mistakes ? Oh you bet. This has really been a learning process.

Best of all, now I can obsess about headshells. :)
 
Behold, the Lenco-friendly Ortofon AS-212:
View attachment 75636
Congrats, very nice combo!👏

I love your MP100's older brother.😊
MP10.jpg
 
Congrats, very nice combo!👏

I love your MP100's older brother.😊
MP10.jpg
I was quite surprised with my first outing with the AS-212 and the MP-100. I actually bought an MP-110, but once I listened to it for a side I knew I should have gone with the 100 version. I ordered the replacement stylus and have been using that.
 
I was quite surprised with my first outing with the AS-212 and the MP-100. I actually bought an MP-110, but once I listened to it for a side I knew I should have gone with the 100 version. I ordered the replacement stylus and have been using that.
Those Ortofon arms have a well deserved reputation…..
 
I was quite surprised with my first outing with the AS-212 and the MP-100. I actually bought an MP-110, but once I listened to it for a side I knew I should have gone with the 100 version. I ordered the replacement stylus and have been using that.
Conical stylus 👍🏻😊
 
Not much progress with the Lenco. Things have been sailing smoothly with the AS-212 and Nag MP-100. I'm enjoying the flexibility of the removable headshell, which I haven't had since the late 70's.

I've added an Ortofon LH-4000 headshell to the stash. Seems well made, with two locking pins that the AS-212 can accommodate, and azimuth adjustment. It's a full 14.3 grams without screws, which I wanted in the event I feel like trying a less compliant cartridge.

Yesterday I decided to try mounting a Dyna 10x5 to the new headshell for a trial. Now the fun begins - with this combo the arm didn't want to adjust to a neutral balance, the headshell and cart being just a bit too heavy. No problem though, this gives me a chance to use the other part which arrived this week - a sub weight that I ordered to allow for mounting a heavy cartridge.

SubWeight.jpg

Now the headshell/cart combo will not be too heavy. As expected, I had to move the counterweight much closer to the pivot to achieve a neutral balance. But wait ! The counterweight is so close to the pivot, I can't adjust for a 2g tracking weight. It only manages 1.7g or so.

There is some adjustment possible with the sub weight, but it seemed that the headshell/cart combo is now a little light. :chin

To the rescue comes the Soundsmith EZ-Mount cartridge screws. The stainless pair add about 6.3 grams to the headshell, compared with the standard screws I used which were 2g or less per pair.

Everything balances well now, and I think I have the effective mass to manage a DL-103 or other low compliance cartridge with this new found flexibility.

OrtoDyna.jpg

I didn't think about it before purchase, but working with the Lenco has provided me with a lot more hands on abilities. I'm much more confident now with handling the components and setting up carts. Fun times.
 
I didn't think about it before purchase, but working with the Lenco has provided me with a lot more hands on abilities. I'm much more confident now with handling the components and setting up carts. Fun times.
Glad you are finding it rewarding.
Nice progress too.
Your last comment reminded me of how I got into diy audio.
I was seeking a turntable upgrade and got looking back at cool vintage decks.
Stumbled onto the Audigon thread about building a giant killer turntable from Home Depot from a Lenco. That was around 2004 I think. 🙂
 
Not much progress here, looks like I will putting the full-on plinth concept on hold. Carpal tunnel is getting the upper hand on both wrists, and surgery is a ways off. Could be next Spring to get everything done and healed up. I might be able to try something simpler using the top-plate instead of going PTP.

At any rate, I am now trying the "VM95 Coco" on the Lenco. Before when I first tried this rebodied cartridge, it seemed kind of bland. That was just a press fit into the body, now I have it bonded with glue. Seems that the bass is more natural now, and with some more hours on it this cart has improved. Mounted on a new AT headshell. Time for Microline or Shibata ? Hmmm.




VM95CocoOnLenco.jpg
 
I have been more and more impressed with this cartridge as I get more time on it.
Big sound stage and toe tapping presentation, not that last work in detail but as they say " musical".
I've been thinking of getting the line contact stylus to how it compares to the nuded elliptical.
 
Ok, I recently developed a ground hum with the Lenco. It seemed to happen after removing cables from the RCA's on the back - one was twisted more than needed. Yesterday I had a look and the nut inside the plinth that fixes the left channel was really loose.

When I connected the tonearm wires to the RCA's it was a really awkward process and I was surprised it worked the first time. No doubt at least one of the solder joints is sketchy.

Asking other turntable fixer-uppers, do you have a preferred method of attaching these fine wires ? The stock arrangement had the fine wires fixed to a terminal strip, and then the external cable attached to it as well. Perhaps I should go back to that arrangement.

Any suggestions welcome.
 
Ok, I recently developed a ground hum with the Lenco. It seemed to happen after removing cables from the RCA's on the back - one was twisted more than needed. Yesterday I had a look and the nut inside the plinth that fixes the left channel was really loose.

When I connected the tonearm wires to the RCA's it was a really awkward process and I was surprised it worked the first time. No doubt at least one of the solder joints is sketchy.

Asking other turntable fixer-uppers, do you have a preferred method of attaching these fine wires ? The stock arrangement had the fine wires fixed to a terminal strip, and then the external cable attached to it as well. Perhaps I should go back to that arrangement.

Any suggestions welcome.
I'd go back to the way it was unless you have enough length of wire from the tonearm, allowing you to go directly to the RCA jacks.
 
I'd go back to the way it was unless you have enough length of wire from the tonearm, allowing you to go directly to the RCA jacks.
They do go straight to the jacks. But keeping the top plate propped up and trying to solder to the RCA's on the back of the plinth was mighty awkward. This contributed to a poor job methinks. I could remove the top plate, solder some leads properly onto the RCA's and then bring those leads to the terminal strip.
 
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